As the name suggests, Chand is “moon” and Bali is “earrings”, crescent moon shaped earrings set intricately with crystals and fringed with tiny pearls. From the early iterations of Rajasthan's royal Rajput dynasties to Hyderabad's Nizams, the presence of chandbalis can be traced back to the early rulers.

'One needs to be an Indian woman, born and bred in the great tradition,
to realise the sense of power that such jewels as earrings and anklets
lend their wearers; she knows the full delight of swinging jewels
touching her cheek at every step, and the fascination of the
tinkling bells upon her anklets

- Ananda.K.Coomaraswamy

The Wisdom of Ananda Coomaraswamy: Reflections of Indian Art, Life, and Religion.

North India, late nineteenth century, a crescent shaped jewel that could be a part of a maang teeka or a turban ornament, channel-set with emeralds. Source- Sharma and Varadarajan, Handcrafted Indian Enamel Jewelry

Through the years, jewellery has been an expression of the country’s aesthetic and cultural diversity. No other land has known adornment styles as varied as ours and it is only fair that we put a spotlight on each of these bearers of legacy.

Jewelry was always driven by more than an aesthetic, it had scientific, socio-economical and astrological ties, we hope to take a closer look at this relationship and unravel the layered importance of adornments.

Sita, Detail of Pahari Painting
Source – Artchives India

In the archives, through pictures and portraits of the royal families, be it the Mughals, the Nizams of Hyderabad or the Rajputs of Rajasthan, we come across a crescent maang tikka or sarpench(aigrette). The crescent or famously known chand motif, is one of the most commonly seen motifs in Indian art, architecture, textile and jewellery. What we are talking about today, is the name that’s now part of every woman’s wardrobe, the “chand-baalis”!
These are a form in earrings, which we are sure you must have come across at least once in your life, but do you know their story?

The Blending of Indo-Muslim Influences

We believe that the crescent, among few other popular motifs, came into existence when the Indian and Islam (Mughal) cultures influenced each other. Read this excerpt from “Indian Jewels that Enchanted the World by Larisa Peshekhonova” that throws light on the style and motifs that the Mughals and Islam brought into the Indian subcontinent and how the Indian forms worked in tandem. 

“When the first Mughal court settled in India, arts and crafts in the subcontinent

were already highly sophisticated, but Islam brought fresh and original creativity to the Hindu style, which is apparent in the architecture, the painting, the music, and a whole variety of arts and crafts. The human and deistic motifs on temple architecture place more emphasis on flora and fauna in general, whereas more particular animal figures such as the heads of lions and elephants came into prominence as finials for jewellery, especially kara bangles and neck ornaments.
Gold ear pendants, North India, Bengal and Uttar Pradesh, 19th century
This typical Muslim design was also known as a necklace in ancient Bengal, Traditional Jewelry of India by Oppi Untracht.

The combination of sun and crescent moon became a popular design in this period, as did fish, peacocks, parrots, mangoes and different forms of lotus and other flower motifs. Flowers had long been important in Islamic culture where they were generally seen as symbols of the divine realm and associated with the Garden of Paradise. Many of these motifs came to be secularised as Hindu and Muslim influences intermingled.

The young Rajkumari Amrit Kaur, daughter of the erstwhile Maharajah of Faridkot.Image: AFP/Getty Images.

The motifs on the pillars of the mosques were taken from Hindu and Jain templesand the splendour of the stonework with its décor of geometric motifs, floralarabesques and Koranic inscriptions, expressed the genius of the Indian sculptors inthat period. Brought from Persia, mirror art embellished many palaces, where thewalls and ceilings were dotted with pieces of mirror. Oil lamps placed on the floor made the place a truly enchanting Sheesh Mahal (Palace of Mirrors).”

From the Mughals to Maharanis and the movies - journey of the chandbaali earrings

The royals of India lived life king size, as they should have. They commissioned the best art, enchanted and influenced the world with their jewels. Come to think of it, after royalty, our society is vastly influenced by cinema. From the era of the black and white film to the modern Bollywood to OTT, Indians seek inspiration from their beloved stars, their style and choices. Distinct styles of chandbalis were documented across Mughal royalty and that of Baroda and Surat. A few of them are cited below.

Portrait of a Bibi, Lucknow(Oudh State) 1785

Uttar Pradesh, early nineteenth century. A part of a crescent shaped maang tikka holding a sun shaped motif on the top signifying the blend of Islamic and Hindu influence on art and fashion.

Image and text reference : Traditional Jewelry of India by Oppi Untracht

 London, c.a 1900. A pair of diamond chandbalis on display at the Victoria and Albert Museum, donated by Princess Naheed Mazharuddin Khan of Surat, featuring rose cut diamonds from the famed Golconda mines. The design of these earrings places them within the tradition of Mughal jewelry, but the open settings of the diamonds reflect the influence of Europe.

Paris, ca. 1950

Crescent shaped diamond and emerald  earrings by Van Cleef & Arpels, formerly in the collection of the maharani Sita Devi of Baroda. Seems like ‘chandbalis’ were all the rage back in the 1900s!

When we think of the best, most extravagant costumes that Bollywood has had to offer, we undoubtedly think of movies like Mughal-e-azam, Rekha in Umrao Jaan, Meena Kumari in Pakeezah and Aishwarya Rai in Jodha Akbar to your 2020 Deepika Padukone in Sanjay Leela Bhansali movies. The heavily embroidered lehengas, the glittering gold saree borders, and the stunning passas, chandbaalis and the haathphools.

Clockwise - 1. Rekha in a chand shaped maang tikka in movie Umrao Jaan.

  1. Deepika Padukone wearing a crescent shaped maang teeka in the movie Bajirao Mastani.
  2. Deepika Padukone in the movie  Ram Leela wearing statement chandbalis.

From the head ornaments, the moon shape gradually made its way to other items of jewellery, like nose-ring and the chandbali - a classic Indian style of earrings that has had its stronghold over Indian shringaar.

From the head ornaments, the moon shape gradually made its way to other items of jewellery, like nose-ring and the chandbali - a classic Indian style of earrings that has had its stronghold over Indian shringaar.

When it comes to modern-day chandbalis, the designs have transformed into various colours, shapes, sizes and materials, with the polki chandbali earrings competing with the jhumka style chandbali earrings to stand out as the most popular ones. While that is the popular sight, our traditional Indian earrings have a lot more styles to offer. The minimal diamond chandbalis, the antique finish chandbalis, the nath inspired chandbalis.

The various styles of chandbaali earrings we see today

Oversized Chandbalis, to the ones with sahara, and then multi layered options, these earrings are versatile and we see them in a plethora of variations today.

The nath, or the nosepin, has been a quintessential piece of jewelry for Indians. It makes a part of the ‘sola shringar’ of an Indian bride and is even worn by tribal women in the country. The nath has also inspired chandbali earring designs since ages.

 

Left to right - 1. Himachal Pradesh, early twentieth century.

A gold crescent nose ring (bulaq or kundu) featuring a design of two birds on green enamel.

This form of nose ring hangs below a hole pierced through the septum of the nose and can range from being a modest ring to a large ornament, which might cover the mouth and need to be lifted up when eating. Sometimes a bulaq is called a nathni, denoting a smaller size.

Source - Untracht, Traditional Jewelry of India

2. Old Punjab, Lahore, Amritsar, Nineteenth century

Gold nose ring (nath) in the form of a curved fish carrying a bird (peacock), kundan-set with cabochon rubies, turquoise, and multi-colored moonstones with white and turquoise glass beads.

This specific design 'fish carrying a peacock' is worn by women of the Sikh community in the Punjab. Designs with different birds are worn by women in the Muslim community in Uttar Pradesh.

Aurus chandbalis in tones of pink and white, these earrings with polki (uncut diamonds), pearls and gemstones are inspired from the traditional nath design.

 

 

 

 

 

 

 

 


Aurus chandbalis in tones of pink, green and yellow, these earrings with polki (uncut diamonds), pearls and gemstones hold colors perfectly suited for Indian festivities.

Why leave the diamonds behind?

The unmatched sparkle that diamonds offer can turn any night into a starry night afterall!
Image : Aurus chandbalis in rose cut and brilliant-cut diamonds, hints of green emeralds
For those who don't shy away from color,  kundan and polki big chandbalis are your best bet. While the older ones featured emeralds and rubies mainly, we now have a much wider variety of gemstones available to choose from - citrines, amethysts, tourmalines!
Here’s some inspiration for you to go all out with a chaandbali earrings, maangtika and a nath like this beautiful bride!

A Punjabi bride wearing traditional Punjabi ornaments:

A kundan chand maang tikka and a chaand shaped nose ring (nath). Image : Traditional Jewelry of India.

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